...coaxing notes from the cello that ripple like waves on a dark sea.
— Emily Pothast on Fluency of Trees, The Wire 2022
I will not hesitate in placing Live At Zoom In among the finest improvisational sets heard in recent years.
— Massimo Ricci for Squidco, November 2020
As radical and challenging as it is immersive and seductive, it shouldn’t be missed on any count.
— Soundohm review of Harbors, Best of 2020
...a masterpiece in harmonics, in sonic drift, and a tightly focused narrative line....Fullman and Wong together conjure up rolling fogs and seascapes; they pepper with sonic sleights of hand: are they freight train whistles, even a snatch of tune from some revenant sailor’s pipe? It’s not important to know – the strength of this work likes in the unfettered imagination behind it and in its execution.
— Louise Gray on Harbors, The Wire, August 2020

Performances

Interviews

Interviewing Others

Art is a constant practice in transformation, both for me as an artist and hopefully for people with whom I share my music.
— TW, Interview with Tom Choi, Roulette Blog 2013
...this was when it happened. And when improv is happening, it is likely to be magical. Theresa Wong on cello and voice, and Kjell Nordeson on percussion, played with a different accuracy, with a precision that really was amazing since this was the first time they played together. It was not about expressing one self, but about listening and in dialogue to shape a language.
— Ulf Olsson, Orkester Journalen (Sweden), 2011

Writing 

Past Albums

PRACTICING SANDS

HARBORS
Louise Gray, Harbors, The Wire, August 2020
Jonathan Williger, Harbors, Pitchfork, August 12, 2020
Madison Bloom & Allison Hussey, 6 New Albums You Should Listen To Now, Pitchfork, August 14, 2020
Phil Freeman, The Majesty and Magic of Ellen Fullman and Theresa Wong’s Sound Art, Bandcamp Daily,
August 27, 2020
Vinyl Factory, Our Ten Favorite New Vinyl Releases This Week, August 28, 2020
Jennifer Lucy Allan, Rum Music for August, The Quietus, August 26, 2020
Jack Chuter, Harbors review, Attn:Magazine, September 20, 2020
Massimo Ricci, Harbors review, Touching Extremes, September 26, 2020
SilenceAndSound, Harbors review
Soundohm, Harbors review
Boomkat, Harbors review

LIVE AT ZOOM IN
Massimo Ricci, Live at zoom in review, Squidco, November 2020
Franpi Barriaux, Live at zoom in review, Citizenjazz, December 2020

THE UNLEARNING
Clive Bell, The Unlearning, The Wire (UK) November 2011
Massimo Ricci, The Unlearning, Paris Transatlantic Magazine, Winter 2011
Tzadikology (France), October 26, 2011

VENICE IS A FISH
Massimo Ricci, Theresa Wong - Venice Is A Fish, touchingextremes.wordpress.com July 2, 2014

LUGGAGE
Mark Corroto, Review of Luggage, AllAboutJazz.com January 18, 200

...I ended totally convinced by the sheer warmth and humanity of this project.
— Clive Bell on The Unlearning, The Wire 2011
It is difficult not to remain enchanted by the 21 miniatures presented by Theresa Wong in her first solo outing.
— Massimo Ricci, Paris Transatlantic Magazine Winter 2011