“...at once transcendent and firmly rooted to the sensuous earth. ”
— A Closer Listen on "Journey to the Cave of Guanyin" 2025
“...coaxing notes from the cello that ripple like waves on a dark sea.”
— Emily Pothast on Fluency of Trees, The Wire 2022
“I will not hesitate in placing Live At Zoom In among the finest improvisational sets heard in recent years.”
— Massimo Ricci for Squidco, November 2020
“As radical and challenging as it is immersive and seductive, it shouldn’t be missed on any count.”
— Soundohm review of Harbors, Best of 2020
“...a masterpiece in harmonics, in sonic drift, and a tightly focused narrative line....Fullman and Wong together conjure up rolling fogs and seascapes; they pepper with sonic sleights of hand: are they freight train whistles, even a snatch of tune from some revenant sailor’s pipe? It’s not important to know – the strength of this work likes in the unfettered imagination behind it and in its execution.”
— Louise Gray on Harbors, The Wire, August 2020

Performances

Interviews

Interviewing Others

“...this was when it happened. And when improv is happening, it is likely to be magical. Theresa Wong on cello and voice, and Kjell Nordeson on percussion, played with a different accuracy, with a precision that really was amazing since this was the first time they played together. It was not about expressing one self, but about listening and in dialogue to shape a language.”
— Ulf Olsson, Orkester Journalen (Sweden), 2011

Writing

Albums

JOURNEY TO THE CAVE OF GUANYIN

• A Closer Listen (Half Year Highlights) June 2025
• A Closer Listen, May 2025
• Radiohoerer, April 2025
• Best Experimental Music on Bandcamp April 2025
• Felt Hat Reviews, March 2025
• African Papers (Germany), March 2025
• Foxy Digitalis, January 2025
• Chain DLK (Italy), April 2025
• IndieRockMag (France), April 2025
• Silence and Sound (France), April 2025

PRACTICING SANDS

HARBORS
• Louise Gray, Harbors, The Wire, August 2020
• Jonathan Williger, Harbors, Pitchfork, August 12, 2020
• Madison Bloom & Allison Hussey, 6 New Albums You Should Listen To Now, Pitchfork, August 14, 2020
• Phil Freeman, The Majesty and Magic of Ellen Fullman and Theresa Wong’s Sound Art, Bandcamp Daily,
‍ ‍August 27, 2020
• Vinyl Factory, Our Ten Favorite New Vinyl Releases This Week, August 28, 2020
• Jennifer Lucy Allan, Rum Music for August, The Quietus, August 26, 2020
• Jack Chuter, Harbors review, Attn:Magazine, September 20, 2020
• Massimo Ricci, Harbors review, Touching Extremes, September 26, 2020
• SilenceAndSound, Harbors review
• Soundohm, Harbors review
• Boomkat, Harbors review

LIVE AT ZOOM IN
‍ ‍
• Massimo Ricci, Live at zoom in review, Squidco, November 2020
• Franpi Barriaux, Live at zoom in review, Citizenjazz, December 2020

THE UNLEARNING
•
Clive Bell, The Unlearning, The Wire (UK) November 2011
• Massimo Ricci, The Unlearning, Paris Transatlantic Magazine, Winter 2011
• Tzadikology (France), October 26, 2011

VENICE IS A FISH
‍ ‍
• Massimo Ricci, Theresa Wong - Venice Is A Fish, touchingextremes.wordpress.com July 2, 2014

LUGGAGE
‍ ‍
• Mark Corroto, Review of Luggage, AllAboutJazz.com January 18, 200

“...I ended totally convinced by the sheer warmth and humanity of this project. ”
— Clive Bell on The Unlearning, The Wire 2011
“It is difficult not to remain enchanted by the 21 miniatures presented by Theresa Wong in her first solo outing.”
— Massimo Ricci, Paris Transatlantic Magazine Winter 2011