“...coaxing notes from the cello that ripple like waves on a dark sea.”
— Emily Pothast on Fluency of Trees, The Wire 2022
“I will not hesitate in placing Live At Zoom In among the finest improvisational sets heard in recent years.”
— Massimo Ricci for Squidco, November 2020
“As radical and challenging as it is immersive and seductive, it shouldn’t be missed on any count.”
— Soundohm review of Harbors, Best of 2020
“...a masterpiece in harmonics, in sonic drift, and a tightly focused narrative line....Fullman and Wong together conjure up rolling fogs and seascapes; they pepper with sonic sleights of hand: are they freight train whistles, even a snatch of tune from some revenant sailor’s pipe? It’s not important to know – the strength of this work likes in the unfettered imagination behind it and in its execution.”
— Louise Gray on Harbors, The Wire, August 2020

Practicing Sands

Performances

Interviews

Interviewing Others

“Art is a constant practice in transformation, both for me as an artist and hopefully for people with whom I share my music.”
— TW, Interview with Tom Choi, Roulette Blog 2013
“...this was when it happened. And when improv is happening, it is likely to be magical. Theresa Wong on cello and voice, and Kjell Nordeson on percussion, played with a different accuracy, with a precision that really was amazing since this was the first time they played together. It was not about expressing one self, but about listening and in dialogue to shape a language.”
— Ulf Olsson, Orkester Journalen (Sweden), 2011
“...I ended totally convinced by the sheer warmth and humanity of this project. ”
— Clive Bell on The Unlearning, The Wire 2011
“It is difficult not to remain enchanted by the 21 miniatures presented by Theresa Wong in her first solo outing.”
— Massimo Ricci, Paris Transatlantic Magazine Winter 2011